Their scripted lines in the main video were robotic. "I feel uncomfortable when you touch my leg without asking." "Okay, I will ask next time."

There, in the background, at a corner table, was a tall, sharp-boned woman with dark curly hair. And across from her, a lanky man with a nervous laugh. They weren't acting. She was feeding him a fry. He was wiping ketchup off her chin. They were looking at each other not like actors following a prompt, but like two people who had finally found the B-roll of their own lives.

Jonas Van Looy had edited everything. Corporate mergers, reality TV meltdowns, and a particularly gruesome Flemish baking accident. So when the commission came in to assemble a 22-minute voorlichtingsvideo for the Flemish Community Commission, he didn't blink.

Then he opened the folder marked B-Roll_Emotionele_Connectie .

It was an hour of footage shot by a second unit, meant to be cutaway shots of the couples looking at each other. The director had clearly given them simple prompts: Look like you’re having a first date. Look like you’ve had an argument. Look like you’re about to kiss.

The Script Between the Lines